Please be advised that DEAD CAN DANCE rescheduled for the Wang Theatre on April 19, 2021
has been rescheduled to October 15, 2021. Your original tickets will be automatically transferred to the new date - October 15, 2021. Ticket holders will receive an email advising them that refunds will be available for a 30-day window, with instructions on how to secure their refund. Refunds will be issued for the ticket price plus applicable service charges. The cost of UPS shipping and merchandise will not be refunded. In addition, customers will be advised that if they do not elect a refund within the 30-day window, their tickets will remain valid for the rescheduled date.
If you purchased tickets with a credit card at the box office and wish to request a refund please contact info@bochcenter.org. If you purchased with cash in person at the Box Office, you will need to bring your tickets as proof of purchase to the box office to receive your refund. At this time, our box office is open Monday- Friday from 12pm-6pm. To contact Ticketmaster customer service for any other questions, please call 800-982-2787.
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We will be open soon! Please be safe and stay healthy
Since their inception in Melbourne in 1981, Dead Can Dance have been informed by folk traditions from all over Europe, not just solely in terms of instrumentation, but also by secular, religious and spiritual practices.
The story to their forthcoming album Dionysus took shape as Brendan Perry became fascinated by long established spring and harvest festivals that had their origins in Dionysian religious practices throughout Europe. The presence of the religion was suppressed during the ideological control of Christianity and Islam since the Roman Empire, and so the influence that Dionysus still had on these festivals would continue to manifest itself albeit in a more censored form.
Dead Can Dance’s latest album brings to the fore the rites and rituals that today continue to be informed by the Greek god, with the album’s seven movements representing different facets of the Dionysus myth and his cult.
The musical form of Dionysus is that of an oratorio, which has informed spiritual and secular pieces of music as far back as the early 16th century.
ACT I - Sea Borne announces Dionysus’ arrival from the east by ship. This movement is crucial to understanding Dionysus as an outsider god - ‘the god that comes’ - central to Ancient Greek city religions that affiliate him with the protection of those who do not belong to conventional society, and anything which escapes human reason.
ACT II - Liberator of Minds, with Dionysus being known as ‘he who lends men’s minds wings’, the album’s second movement conveys the use of hallucinogens and mind-expanding drugs that are associated with him as well as breaking free from the constraints of social norms within society.
