There is a core element to CHELSEA WOLFE's music—a kind of urgent spin on America's desolation blues-that's existed throughout the entirety of her career. It manifested in the lo-fi bedroom recording experiments of her debut album The Grime and the Glow (2010), the electrified dirges of Apokalypsis (2011) & Hiss Spun (2017), the reclusive reflections of her 2019 acoustic album Birth of Violence, and the electronic embellishments and distorted growl of Pain is Beauty (2013), Abyss (2015), & She Reaches Out to She Reaches Out to She (2024). At the center, there has always been Wolfe's woeful longing and beguiling gravity, though the framework for these compositions is continuously evolving.
