Grammy and Emmy-nominated singer-songwriter/composer INGRID MICHAELSON is a force in the music industry, known for her distinctively soulful folk-pop style. Her music is released on the label she founded, Cabin 24 Records, including her latest studio album For the Dreamers, as well as her gold and platinum hits, "The Way I Am," "Girls Chase Boys," and "You and I." She's scored songs for television, including “Little Fires Everywhere” (Emmy nomination) and “Tiny Beautiful Things” (both for Hulu), and was executive music producer for Apple TV+’s “Slumberkins,” creating original songs for the series. She made her Broadway on stage debut in Natasha, Pierre and The Great Comet of 1812 and recently made her Broadway debut as a composer in 2024 writing the music and lyrics for the musical, The Notebook. She co-produced The Grammy nominated Notebook Original Broadway Cast Album. For the latest from Ingrid Michaelson please visit www.ingridmichaelson.com
For more than a decade, HANNAH WINKLER has lent her voice, musicianship, and quiet fire to other artists’ visions. Now, with the release of her first full-length album, the Brooklyn-based songwriter and multi-instrumentalist steps fully into her own light—crafting a collection of songs that are as emotionally raw as they are sonically lush. After touring and recording with artists like Lorde, Ingrid Michaelson, and A Great Big World, and as a member of beloved bands like Secret Someones, Human Natural, and Weird Years, Winkler’s solo work arrives with hard-won self-possession. These are songs that refuse to shrink, even in their most delicate moments.
Hannah Winkler’s self-titled record is a work for sensitive souls. Produced by longtime collaborators Zach Jones and Oscar Albis Rodriguez, the album is a self-contained world—performed and arranged entirely by the trio. Recorded primarily at Studio G in Brooklyn, the songs blend rock’s urgency, folk’s intimacy, and the melodic pull of classic pop. What emerges is an unflinching, deeply personal portrait of an artist embracing the full spectrum of feeling: navigating shifting friendships, chronic pain, the long echoes of shame, the slow work of healing, and the quiet triumph of finding her voice.
Released in partnership with Grand Phony Music Company, Hannah Winkler’s self-titled record aligns her with a growing lineage of artists reimagining modern rock through a personal lens—think Madison Cunningham, Madi Diaz, Waxahatchee, or Soccer Mommy. “There’s freedom in telling the truth,” Winkler seems to say throughout the album—not with bravado, but with clarity and calm force.
